It’s pretty much an expressionĭo you start with a rhythm track first, or do you have melodic things in your Need to go do something.” It’s pretty much my job is what I love. A lot ofĬats, when they start recording it’s like, “OK, I’m out of money so now I ![]() I can’t wait until I run out of money, then go back in the studio. ![]() That’s what my beats turn out to… Put it like this, I kind of sit down everyday and do beats, so it’s really on what’s You know how some people, I guess they have their little creative thing or If I’m happy, then the beat will probably sound happy. It’s anĮxpression of what I’m going through that day. Most of the beats are, to me, is what I’m feeling that day. So, I guess you sit down, you decide you’re going to make a beat. This era is aĭifferent thing, it’s your MacBook and some headphones. I was brought up programming with a drum machine. It’s pretty much on how you wasīrought up. It, you know? Sometimes I’ll even use electric drums and MIDI them up to theĭrum machine just to have that real drum feel. The SP-1200 is an analogue machine, I don’t know, probably 12-bit, so it gives What is it about, besides the fact that you don’t want to deal with theĬomputers, but what is it about the sound of those machines that appeals to I kind of do the SP-1200, first MPCs, the EPS. I kind of don’t have one machine that I stick to, but I like vintage machines. What’s your preferred machinery? What’s your preferred method of creating? I did maybe, I think, ten this week or whatever. ![]() And I got a collection of beats, I don’t know, Some of them was just some beats I did this week that’s what I was playingĮarlier that came out my MPC. Sounds coming from this little machine over here. I see everybody’s been sitting in the room has been listening to some of the What’s up, sir? Thank you for being here. It is our very, very… Our pleasure to welcome a legendary producer, DJ, New Orleans musical legend, Mr.
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